Horse Lords at the Foundry Theater

As an instrumental unit, Horse Lords rely on a collective voice and focus to provide the band’s core strength; a process enriched by their disparate musical interests. The quartet, formed in 2010, embraces Renaissance counterpoint, covers composer Julius Eastman, plays instruments specially fretted for microtonality, and organizes its music through polyrhythmic matrices. The ingenious machinery of their music is humanized with exploration and passion.

Guitarist Owen Gardner and saxophonist / percussionist Andrew Bernstein met in the ‘00s at Goucher College in suburban Baltimore—the former steeped in global folk musics and experimental music, the latter a budding composer. As members of the rich Baltimore music scene, notably the band Teeth Mountain, they met bassist Max Eilbacher, who has subsequently blazed a path in electroacoustic music, and drummer Sam Haberman.

From the beginning, Horse Lords have played music defined by repetition and complexity, often at length, and presented it in ways that telegraph their concern with questioning social and political norms. “Conceptually, our music is always interested in the tension between the aesthetic, the political, and the material domains of art, and the political muteness of instrumental music,” the band says. “How can we imbue wordless music with a radical political message? The whole project of Horse Lords is an attempt to answer this question, and all of our decisions, musical and otherwise, are informed by it.”

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